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Precarity in Western European Cinema by Temenuga Trifonova

- Precarity in Western European Cinema
- Temenuga Trifonova
- Page: 314
- Format: pdf, ePub, mobi, fb2
- ISBN: 9789048560653
- Publisher: Amsterdam University Press
Precarity in Western European Cinema
Free full length downloadable books Precarity in Western European Cinema by Temenuga Trifonova CHM FB2 ePub
This book explores the new European cinema of precarity, with a particular focus on Western European films, by revisiting some of its most important precursors, including 1930s Popular Front films and 1990s French New Realism, Italian neorealism, and the British New Wave. It identifies dominant themes and motifs in contemporary films and their precursors, as well as important continuities and discontinuities between earlier and later representations of work, class, class struggle, solidarity, precarity, the moral economy of capitalism and neoliberalism and their affective pathologies. Trifonova examines the ways in which the cinema of precarity mediates economic and social capital in the age of neoliberalism and considers whether these films lend validity to Guy Standing’s idea of the precariat as “the new dangerous class.”
Precarity In Western European Cinema Book By Temenuga . - Indigo
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AMMI colloquium | Research Centre for Arts in Society
With his collaborators Hanna Prenzel and Elisa Cuter, Kirsten published Precarity in European Film . book series 'Film, Class, Society .
Precarious Intimacies The Politics of Touch in Contemporary .
"This book interrogates the politics and aesthetics of intimacy in European cinema through the lens of precarity"-- Provided by publisher.
Precarious intimacies : the politics of touch in contemporary Western .
"This book interrogates the politics and aesthetics of intimacy in European cinema through the lens of precarity"-- Provided by publisher.
Precarity in European Film : Depictions and Discourses
This volume brings together renowned scholars and early career-researchers in mapping the ways in which European cinema —whether arthouse or mainstream, .
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